Monday, July 11, 2011

Whare Maori - Episode 9 John Scott

Episode Nine – John Scott
This overview of arguably the most significant trained architect in New Zealand’s history,explores how Scott married modernity with traditional notions of space and design. We visit:-Futuna Chapel, Wellington/ Our Lady of Lourdes, Haumoana House, Hawkes Bay/ Ngamatea, Ngamatea.

Nicely done. View it on the Maori Television website...

Friday, July 8, 2011

Whare Maori pays tribute to John Scott

One of New Zealand's greatest architects and the first Maori to practice architecture professionally in this country, John Scott, features on Maori Television series WHARE MAORI this weekend.

Reprieve for unwanted lake visitor centre

The iconic visitor centre in Urewera National Park has received a stay of demolition — for now — but Department of Conservation staff have made it clear that they no longer want it...
Gisborne Herald Wednesday, July 06, 2011 • Kristine Walsh

Thursday, June 2, 2011

Aniwaniwa Visitor Centre

Back in January 2004 the John Scott designed visitor centre at Aniwaniwa looked like this:

In May 2011 it looks like this:

In 2004 the Centre was 30 years old. It showed a few signs of its age but no more than you would expect. Seven and a bit years later it is in a tragic state. I'd suggest that this is a maintenance issue rather than a design or build issue.

The Aniwaniwa Visitor Centre is an important Scott building. It is also an important part of New Zealand's architectural heritage. It needs to be saved and preserved, not demolished.

Lend your voice by signing the petition...

Download a copy of the petition here.

Thursday, May 19, 2011

Petition launched to Save Aniwaniwa Visitor Centre

DOC has gained permission to demolish the John Scott designed Aniwaniwa Visitor Centre at Lake Waikaremoana. Concerned architects and admirers of this significant piece of NZ architecture are working to save it from demolition. An application has been made for a Historic Places Trust classification and the Ministers of Conservation and Arts, Culture and Heritage lobbied to intervene. Lend your voice by signing the petition...

Download a copy of the petition here.

Saturday, April 30, 2011

St Canice's revisited

Yesterday I went to an ADNZ (Nelson Marlborough) meeting held at St Canice's Church in Westport. Russell Walden and Julia Gatley spoke - Russell telling the story of his life from a wheelchair and Julia her DOCOMOMO talk with a some added detail about St Canice's and John Scott.

I don't think that Russell Walden was very impressed with the church, at least he went out of his way to point out what was wrong with it, as is his way, perhaps. (He was also critical of New Zealand architecture, architectural academia, and architects.) I agree with him that the church is cluttered, that the Stations of the Cross are weak, that the incorporation of the gothic stained glass from the previous St Canice's was unnecessary, and that the crucifix should be on the large wall to the left of the altar rather than bolted to the thin pillar behind.

As Russell pointed out there is often a disconnect between the architect and the Church, that neither knows the other well enough for the relationship to produce a wonderful building. I think the size of the cultural/aesthetic gap in Westport was shown most starkly when we went to the church hall for afternoon tea, the hall being the most architecturally barren building you could imagine, a blank box with high windows, cream interior walls and contrasting forest green steel beams.

It surprises me that John Scott managed to design a church of this quality in this environment. It is not a lavish building, it is a plain and simple church that is also architecturally interesting. And I like it's quirks - the almost Spanish bell tower, the door-handle coat hooks, the concrete and wood pews, the stone altar, even the gothic windows. I think it is much better architecture than the Church deserves, and would be much improved with the removal of the plaster-cast saints, odd antique furniture, expansive notice boards, and oversize loud speakers (the two speakers high above the altar are architectural blasphemy). It is sad that the yellow acrylic has turned clear in the sun as the light from the celestials would be warmer.

I like the way Scott has constructed the church; the proportions of the windows and concrete block walls, the geometry and elegance of the floor plan, the use of light and contrast, the choice of materials (especially the matai ceiling and brick floor). I also like the way it is clearly related to Scott's other churches, it is part of a series, the development of ideas, but that it is also unique and can stand on its own.

There is much more to like about this building than dislike and it is a shame that its flaws, rather than its qualities were Russell's focus yesterday. This church needs to be loved as a building, its spirit nurtured, and we all have a role in that.

Whare Maori

Whare Maori architecture series commences transmission on Sunday, 8th of May at 8pm on Maori Television. Programme on John Scott (episode 9) airs on July 9.


50th ANNIVERSARY MODEL 1961-2011 Scale 1:100

This 50th Anniversary Edition is limited to 50 numbered models, each comprising 44 parts, assembled during the weekend of the Anniversary by students from the Victoria University of Wellington School of Architecture and supplied with a matching custom fitted storage box that doubles as a display plinth and contains an engraved token denoting the Limited Edition Number. The name of the model assembler is recorded on the Certificate of Authenticity that accompanies the limited edition model.

The kit was designed by Hamilton modeler Tony Richardson using Inkscape vector graphics, then laser cut by Ponoko in Wellington from 4mm Italian poplar plywood donated by Plytech. The model is as close to scale as is possible with the materials available using this technology.

This Limited Edition will never be repeated, as the patterns for the model have been permanently erased.

Price: $300 incl GST + post and packaging. (free delivery in Wellington CPD)

The model is also available in a Standard Limited Edition of 25 un-numbered copies supplied as a DIY flat pack comprising 48 parts and without the storage/display box. Included are the assembly instructions, PVA glue, pegs and assembly jig. Some minor beveling is required for accurate fitting of the four roof valley beams.

Price: $250 incl GST + post and packaging (free delivery in Wellington CPD)

On receipt of your funds into the Trust Bank account (details below) your model will be dispatched
Friends of Futuna Charitable Trust Account.
National Bank North, Lambton Quay
Account number: 06 0581 0136554 00
Use your name as the reference and ‘Model’ as the code

Sunday, March 27, 2011

Futuna Ponoko Model

Nice project for those long winter nights? More on the Ponoko blog.

Rick LaPlastrier and Kim Hill

Rick LaPlastrier came over for the Futuna 50th. Kim Hill missed an opportunity here (RNZ Interview) but whatever...

A portfolio of Rick's work is here.

Monday, February 14, 2011